Sword practise

it's my short fullbody practise :
http://www.truploader.com/view/529161
and this too, sword practise :
http://www.fileize.com/view/c92fdecd-fa1/

im still a noob in fullbody, i need your critics and comments :>

AYYY! YOU'RE HERE NOW!!!! AMAZING! Anyway, i find the blur for the first anim unnecessary, but it was good overall. Also, the second one, the legs were kinda awkward. The way it was just sliding back and forth felt weird, but then again, it was great overall

Interesting. You seem to have made the transition to fullbody more smoothly than other stick animators I've seen. You've got a sense of three whole dimensions in your anims and shit. Lawl. Got the recurring mofo appearing in two consecutive anims - he must have some value to you; reveal his identity!
I'm also curious about your stick animations, too. What was the transition like? Slap those up.

...The sword slashes are looking relatively good, mayne. ...make sure you pay attention to those feet next time, though. They kinda do lift from the ground. ...also, check out the concept of a pivot foot.

EDIT: ...and yeah, what was up with that blur? It seems like you were experimenting... or got too carried away when you cleaned up and finalized the shot. ...in the future, if you didn't already know, stay true to the shot you had in your head. If you steer off the path along the way, you may crash. Sometimes we think we're headed into something better mid-animation, then we fuck ourselves because we've betrayed the template that we had in our minds.
Set the mental image. Then you try as hard as you can to get to it.

Ummm. Hello man.
I dont have to much to say honestly. I liked the what I saw. W/ the first one, I liked the movement of the hair. Also when you did the shading it was good. too.

One thing Id like you to do is animate someone w/o clothes on. Cause then we can see how well you draw the human body. When animating or drawing w/ clothes, sometimes it can be easier because the clothes can be drawn with straight lines. Ex: The sword animation.
When you draw someone w/o clothes you have to draw more curves and be aware of more things at certain angles. When you know whats under the clothes or even skin you can then start adding more details that maybe you wouldnt have been able to do before. Example: someone with their chest puffed out or muscles being flexed due to a strenuous action.

This also can help you showing tightness when drawing clothes

This doesn't seem like usable material, but it is really impressive. If you are willing to make only maybe 10x this much material, you could have an entire good cartoon. You will have to choose what is in the cartoon carefully, though, because your skill alone would fall flat.

You are ready to try moving beyond practice and exercise, if you want to, is what I mean.